![]() The Max Fleischer approach was sophisticated, focused on surrealism, dark humor, adult psychological elements and sexuality. Max Fleischer cartoons were very different from Disney cartoons, in concept as well as in execution. With Betty Boop, Max Fleischer had become one of the two premier animation producers the up-and-coming Walt Disney was the other. ![]() Soon Max renamed his Talkartoon series as Betty Boop Cartoons, and as they say, the rest is history.īetty clearly became the self-proclaimed “Queen of the Animated Screen.” Max, Betty Boop, and Bimbo with singer Helen KaneĪlthough Clara Bow is often given as being the model for Betty Boop, she actually began as a caricature of singer Helen Kane.īy 1931, Betty’s floppy canine ears had evolved into hoop earrings, and she was transformed into a fully human girl (though she retained her romantic relationship with the dog for several episodes after her transmogrification).īy the time of Minnie the Moocher, Betty Boop was in a class of her own, and by August of 1932, Max made her the star of Stopping the Show. Max renamed Bimbo’s girlfriend “Betty Boop.” Then, on August 9, 1930, a Rubensesque poodle-human hybrid, and Bimbo’s girlfriend, made her screen debut in Dizzy Dishes, and quickly became Max Fleischer’s biggest star. So in August of 1929, Max created the Talkartoon series, beginning with Noah’s Lark.Ī year into the series, Max renamed Fitz the dog as “Bimbo” who went on to become the star of the Talkartoon series, starting with the 1930 cartoon Hot Dog. Soon Max was able to reorganize Out of the Inkwell Films as Fleischer Studios.ĭuring this time, Walt Disney was also gaining success with Mickey Mouse and Silly Symphonies. Then in 1928, as film studios made the transition to sound, Max Fleischer revived his Song Car-Tunes series as Screen Songs, starting with the release of The Sidewalks of New York on Februthrough Paramount Pictures. However, by late 1926, Max had to file for bankruptcy, and the Song Car-Tunes series came to an end. This was before Walt Disney’s 1928 Steamboat Willie, which is often mistakenly cited as the first cartoon to synchronize sound with animation. The Song Car-Tunes series would last until early 1927, just a few months before the actual start of the sound era. Max then invented the “follow the bouncing ball” technique for his Song Car-Tunes series of animated sing-along shorts beginning in May 1924. ![]() In 1921, Max and younger brothers Dave and Lou established “Out of the Inkwell Films” to produce animated cartoons. Patent drawing for Max Fleischer’s original RotoscopeĮxtensive use of this technique was made in Fleischer’s Out of the Inkwell series for the first five years of the series, which started in 1919 and starred Koko the Clown and Fitz the dog. ![]()
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